Chapter 187: Indirect Salvation! Using Foreigners To Boost Promotion! Exploding Public Opinion!
“Deputy Director Asumi, I have a bold idea for *The Tale of Hachiko*.” Hiroshi Nohara’s voice was calm and powerful, imbued with an unquestionable confidence.
Hearing this, Asumi leaned slightly forward, his sharp eyes twinkling with anticipation: “Oh? Hiroshi-kun, what idea do you have? Tell me quickly.”
“My plan is this.” Hiroshi Nohara extended a finger and traced a gentle arc in the air, as if sketching a grand blueprint: “First, at Shibuya Station, we will establish the Hachiko statue, which was temporarily built for the film’s shooting, as a permanent structure, making it a landmark statue for Shibuya Station and even all of Tokyo, to stand there forever.”
Asumi’s eyebrows slightly rose at this.
Establishing a permanent statue wasn’t a difficult task. After all, Hachiko’s story was deeply moving, and with the government’s endorsement, it was entirely feasible.
“Of course, that’s not a problem, Hiroshi-kun,” Asumi nodded, a smile of approval appearing on his face: “Hachiko’s story is indeed worth remembering. But… that doesn’t seem to qualify as a ‘bold’ idea, does it?”
Hiroshi Nohara merely smiled, his clear eyes showing no ripples of emotion.
“Of course, there’s more,” Hiroshi Nohara spoke softly, his tone carrying a perfectly judged touch of mystery: “This is just the first step. The second, and most crucial step, is for us to use foreign media and foreign experts to praise the Akita breed, to praise them as extremely intelligent and high-IQ dogs, and as dogs with noble character.”
“What?!”
Asumi’s eyes widened instantly, his cheerful smile freezing on his face, replaced by disbelief and… shock!
Using foreign media and experts to praise the Akita breed?!
He stared blankly at Hiroshi Nohara, his mind in utter chaos.
Establishing a statue was simple enough.
But using foreign media and experts to praise the Akita breed… wasn’t this a classic case of “blind worship of foreign things”?
Asumi’s heart was a mix of emotions.
Though he didn’t want to admit it, he knew very well that Neon Country, despite its immensely developed economy, boasting the second-largest economy in the world, was still in a delicate state of inferiority complex when facing the United States and Europe culturally and psychologically.
This inferiority, intertwined with the Japanese people’s ingrained arrogance, formed a peculiar national psychology – simultaneously arrogant and inferior.
They longed for global recognition, yet habitually placed foreign evaluations higher than domestic ones.
“Hiroshi-kun… you… you mean, we should exploit this… this mindset of ‘blind worship of foreign things’ to promote the Akita breed?” Asumi’s voice trembled, his tone filled with confusion and… a hint of resistance.
He looked at Hiroshi Nohara’s calm face, feeling a complex mix of emotions.
He knew Hiroshi Nohara was incredibly intelligent, but at this moment, he felt a sense of discomfort with this strategy of exploiting the nation’s “negative traits.”
Hiroshi Nohara just smiled calmly, his clear eyes showing no ripples of emotion.
He understood Asumi’s concerns and knew that such a strategy was indeed somewhat “disgraceful.”
“Deputy Director Asumi, you are correct,” Hiroshi Nohara spoke softly, his tone calm and composed: “I do intend to exploit this ‘arrogant yet inferior’ mindset of our Neon Country citizens.”
“However…” he paused, his gaze turning to Asumi, his eyes shimmering with a deep and confident light: “This is not simply exploitation, but rather a form of ‘guiding the situation’ and ‘saving the country indirectly’.”
“‘Guiding the situation’? ‘Saving the country indirectly’?” Asumi’s brow furrowed at this, his face etched with confusion.
He looked at Hiroshi Nohara’s young and confident face, feeling a sense of bewilderment. He had a feeling that Hiroshi Nohara’s words held a deeper meaning.
“Yes, guiding the situation, saving the country indirectly,” Hiroshi Nohara nodded, his tone becoming more solemn: “Deputy Director Asumi, you and I both know that for us Neon Country citizens, the concept of ‘loyalty’ is etched into our very bones. But as times change, this ‘loyalty’ has gradually been tainted by the mundane, becoming impure, and even somewhat numb.”
“And *The Tale of Hachiko*, what it conveys is precisely that purest, most selfless, and most direct loyalty. But if we were to directly use domestic media and experts to promote the loyalty of Akita dogs, to educate citizens to learn from the dogs’ loyalty, what do you think the effect would be?”
Hiroshi Nohara retorted, his gaze calmly fixed on Asumi.
Hearing this, Asumi’s face showed a thoughtful expression. He knew that if they did that, it would likely provoke public backlash, and some might even step forward to accuse them of “insulting the nation.”
“So, Hiroshi-kun, you mean…” Asumi’s voice trembled slightly, and he seemed to have guessed Hiroshi Nohara’s intention.
“Exactly,” Hiroshi Nohara nodded, his tone calm and resolute: “Precisely because we are facing this ‘negative trait’, precisely because we know the public’s ‘disdain’ for domestic propaganda, that is why we must do the opposite.”
He paused, his gaze sweeping over Asumi, his eyes filled with light: “By using the praise from foreign experts and foreign media, we will embed the idea of Akita dogs being more intelligent and more loyal into the public’s perception. When the public sees that even foreigners recognize the loyalty of Akita dogs and Hachiko’s story, they will lower their resistance and truly accept this education of ‘loyalty’.”
“Slowly, as this concept takes root, and when the public begins to take pride in the loyalty of Akita dogs, won’t we have quietly eliminated that ‘blind worship of foreign things’ negative trait? Ultimately, won’t we have cultivated the public’s moral values of loyalty and familial affection?”
Hiroshi Nohara’s words struck Asumi’s heart like thunder!
Asumi stood frozen in place, staring at Hiroshi Nohara’s young and confident face, his mind replaying Hiroshi Nohara’s words over and over.
He felt as if there was something wrong with it, but upon closer reflection, he found that what Hiroshi Nohara said made a lot of sense.
Using the public’s negative traits to achieve the ultimate goal – cultivating the public’s loyalty and familial moral values.
This… this was the skill of a politician!
Moreover, most importantly, this also aligned with the “political mission” that Governor Koike had previously assigned them – to have works that could guide the public’s character and embody the Neon Spirit.
“Hiroshi-kun… you… you’re truly a… monster!” Asumi muttered to himself, his face now filled with disbelief.
He had never imagined that a film producer could elevate the promotion of a film to such a political height, or analyze national psychology so thoroughly.
He looked at Hiroshi Nohara, his eyes filled with admiration and anticipation: “Good! Hiroshi-kun! I agree to your plan! Moreover, I will fully support you!”
He slammed his hand on the table, his tone becoming impassioned: “Is it just overseas promotion?! I, Asumi, also have some media friends overseas! I’ll contact them right away and have them fully cooperate with your promotional plan!”
He paused, his gaze turning to Hiroshi Nohara, his eyes filled with resolve: “How about this, out of our Tokyo Television’s high regard for you, a genius, and the immense potential of *The Tale of Hachiko*, our Production Bureau can support you with 100 million yen for overseas promotion!”
“100 million yen?!” Hiroshi Nohara was astonished.
Although he had expectations for overseas promotion, he never imagined that Asumi could approve such a massive sum of 100 million yen for him!
This was no small amount! This was enough to create a huge promotional storm for *The Tale of Hachiko* overseas!
He stood up abruptly and bowed deeply to Asumi, his sincere gratitude coming from the bottom of his heart: “Thank you, Deputy Director Asumi! Your strong support, I, Hiroshi Nohara, will never forget!”
Asumi merely waved his hand, a proud smile gracing his cheerful face.
“Hiroshi-kun, you don’t need to thank me,” Asumi spoke softly, his tone filled with emotion: “This is all you deserve. Your current fame, your talent, your work, all are worthy of this investment!”
He paused, his gaze turning to Hiroshi Nohara, his eyes filled with anticipation: “Do you know, you are now a prominent figure at our Tokyo Television! Your name is on everyone’s lips at the board meetings, those old fellows are always talking about you!”
“Your three planned programs, *Super Change Change Change*, *World of the Strange*, and *An Shizhi*, are now Tokyo Television’s greatest treasures! They not only bring in huge ratings but also immense social influence!”
“Especially the film *Seven Samurai* – it not only brought you immense personal wealth but also earned Tokyo Television a massive dividend of 3 billion yen! This is an achievement that Tokyo Television has not seen in nearly ten years!”
Asumi said, a smug smile appearing on his face: “So, Hiroshi-kun, you are now our Tokyo Television’s ‘god of wealth’! Investing 100 million yen in your overseas promotion is a trifle! As long as you continue to bring more miracles and more wealth to Tokyo Television, we will invest even more in you!”
Listening to Asumi’s words, Hiroshi Nohara felt a wave of emotion.
Asumi was right.
His status at Tokyo Television had indeed reached an unprecedented height.
His name, his works, his talent, had become an undeniable presence at Tokyo Television, and even in the entire Neon cultural circle.
However, in the face of this immense achievement, a subtle sense of regret welled up in Hiroshi Nohara’s heart.
He thought of the “Hiroshi Nohara” from his past life, his longing for freedom, his pursuit of independent creation.
He knew that if he were in Huaxia in his previous life, with his current achievements, he could have completely established his own film and television company, independently produced movies, television dramas, variety shows, and even built his own manga empire, becoming a true “cultural titan.”
But this was Neon Country.
Neon Country was a place that did not encourage job-hopping, and even less so the establishment of independent companies.
Here, companies were akin to feudal domains or daimyo in the Warring States period, and employees were like retainers or vassals.
Once you chose to change jobs or establish an independent company, you would be considered a “betrayer,” ostracized by society, and even ruthlessly suppressed by powerful zaibatsu and conglomerates.
This suppression was all-encompassing, from a societal to a governmental level, a true “blacklisting.”
Small factories, small workshops, or companies like Misae’s Future Manga Company, or Elder Brother Hiroshi Nohara’s Agricultural Corporation, these small-scale businesses, might still barely survive.
But once they touched upon truly profit-related fields, such as major productions like movies, television dramas, and variety shows, they would understand what real “zaibatsu” meant, what real “conglomerates” meant. That terrifying level of control was enough to utterly destroy anyone who dared to challenge them.
This was also why Hiroshi Nohara had never left Tokyo Television.
He knew clearly that if he chose to go independent now, he would face the combined onslaught of the entire Neon cultural world.
His films might not even pass the review process.
His television dramas might not find broadcasting channels.
His manga might not find publishing platforms.
That pressure from the entire society, from the national level, was enough to make any genius utterly sink.
Therefore, he could only choose to lie low, only choose to depend.
To depend on the behemoth that was Tokyo Television, to depend on Director Nobuhiko Sakata, to depend on His Excellency Hideaki Fujiwara, and even to depend on Governor Koike.
What he had to do was to become the most important, most indispensable chess piece on this giant chessboard.
He wanted Tokyo Television to become the “chariot” for him, Hiroshi Nohara, to realize his cultural ambitions.
He wanted Neon’s culture, under his hand, to go global and influence the world.
And he, Hiroshi Nohara, would, in this process, step by step, reach the peak of culture, becoming someone who could truly influence the era and change the world.
At that time.
He would, in turn, become the feudal lord, the daimyo… the one holding sway in Neon’s cultural circle!
He would ascend to high office!
Hiroshi Nohara exhaled a long breath, a breath filled with emotion, a touch of helplessness, and also, a boundless yearning for the future.
He withdrew his thoughts, his gaze returning to Asumi, a faint smile appearing on his face.
“Deputy Director Asumi, you are correct,” Hiroshi Nohara spoke softly, his tone calm and firm: “This is all I should do. I will continue to work hard and not disappoint the expectations you and Tokyo Television have of me.”
Hearing this, Asumi’s face revealed a satisfied smile.
He knew that Hiroshi Nohara had fully understood his intentions.
“Very well, Hiroshi-kun,” Asumi nodded, glancing at the time on his wristwatch, a faint weariness appearing on his face: “Since that is the case, let us begin discussing the release date for *The Tale of Hachiko*.”
Hearing this, Hiroshi Nohara’s face showed a satisfied smile.
He knew this was the real reason for his visit today.
“Deputy Director Asumi, I already have a preliminary plan in mind for the release date of *The Tale of Hachiko*,” Hiroshi Nohara spoke softly, his tone calm and firm: “I hope this film can be presented to everyone at the most suitable time.”
He paused, his gaze sweeping over Asumi, his eyes sparkling with confidence: “I suggest we start releasing it around late April to early May. That’s just in time for Japan’s Golden Week!”
“Golden Week?!” Asumi stroked his chin, pondering.
Golden Week!
That was the longest consecutive holiday period in Neon Country in a year!
A consecutive holiday formed by four statutory holidays: Showa Day, Constitution Memorial Day, Greenery Day, and Children’s Day / Boy’s Day.
During this period, the entire nation, whether students or office workers, would enjoy a long holiday.
During this time, movie theater box office revenues would see a huge surge!
It could be said to be an important holiday that no movie would miss.
Hiroshi Nohara actually planned to release *The Tale of Hachiko* during this Golden Week?!
This was simply… too insane!
“Hiroshi-kun, are… are you sure?” Asumi’s voice held a hint of excitement: “The competition during Golden Week is extremely fierce! Countless Hollywood blockbusters and countless domestic films will choose to be released during this Golden Week! Can *The Tale of Hachiko* withstand the pressure?”
He knew that while Golden Week had huge box office potential, the competition was also incredibly brutal.
With the slightest misstep, one could be submerged in the flood of box office revenue.
“Deputy Director Asumi, you worry too much,” Hiroshi Nohara merely smiled calmly, his clear eyes showing no ripples of emotion: “Since I dared to choose Golden Week, it means I have absolute confidence in *The Tale of Hachiko*.”
He paused, his gaze turning to Asumi, his eyes filled with confident light: “Moreover, I believe that during this Golden Week, there simply won’t be any film that can compete with *The Tale of Hachiko*!”
His words were resounding, each syllable filled with power.
Looking at Hiroshi Nohara’s young and confident face, all of Asumi’s worries and doubts vanished at this moment.
He knew Hiroshi Nohara was right.
This young man had never disappointed them.
“Good! Hiroshi-kun!” Asumi slammed his hand on the table again, his tone becoming impassioned: “Since you are so confident, I will fully support you! Golden Week! We will release *The Tale of Hachiko* during Golden Week!”
He paused, his gaze sweeping over Hiroshi Nohara, his eyes filled with anticipation: “I want to see what kind of miracle you can bring us this time!”
Hiroshi Nohara simply smiled and nodded: “Deputy Director Asumi, I will not let you down.”
…
Soon, as per Tokyo Television’s arrangements, a new statue was quietly erected at Shibuya Station in Tokyo City.
It was a statue of an old man and a charming Akita dog.
The statue was cast in bronze, weathered by time, showing an ancient luster, yet emanating an ineffable warmth.
It stood silently in a corner of the station, as if silently recounting a long and moving story.
Initially, the statue only attracted the curiosity of a few passersby.
“Huh? When was this statue put up?” an office worker, carrying a briefcase and rushing along, stopped and looked at it with curiosity.
“It seems to be recent, right? I haven’t seen it before.” His female colleague next to him also came over, her eyes showing some novelty: “An old man and a dog? What story is this?”
“Judging by the dog’s appearance, it must be an Akita, right? It’s so charming and cute.” a young female student scratched her head: “But why would they put up a statue like this at Shibuya Station?”
“Don’t you know?” a slightly older housewife nearby said with a knowing smile: “I heard from my neighbor that it was Minister Hiroshi Nohara of Tokyo Television who specifically erected it for his new movie, *The Tale of Hachiko*. I heard the movie is about the story of this Akita dog and its owner!”
“Hiroshi Nohara?!” The student’s eyes lit up instantly, “Is it the same Minister Nohara who filmed *An Shizhi*, *World of the Strange*, and *Super Change Change Change*? He’s making a movie about dogs?!”
“Yes, it’s him!” the housewife nodded, her tone showing some admiration for Hiroshi Nohara: “I heard that this movie is about an Akita dog that, after its owner’s death, continued to wait for its owner at the station every day, rain or shine, a moving story. Oh, just hearing about it makes me want to cry.”
“Wow! It sounds super moving!” the student said excitedly, “I’ll definitely go see the movie directed by Minister Nohara! I’m a fan!”
“Yes, Minister Nohara is truly a genius!” another middle-aged man passing by stopped and joined the discussion: “*Super Change Change Change*, which he directed, my two kids watch it on TV every day! And *World of the Strange*, each episode is chilling yet endlessly fascinating! The movies he makes are definitely not bad!”
“However, using a dog to tell a story of loyalty, isn’t that a very unique idea?” the female colleague said with some confusion: “Aren’t there many stories of samurai loyalty in Neon Country? Why use a dog?”
“You don’t understand this,” the middle-aged man shook his head, a knowing smile appearing on his face: “Minister Nohara is no ordinary person. When he makes movies, he never takes the usual route. He must have his reasons.”
“That’s right,” the housewife chimed in: “I heard from my neighbor that Minister Nohara said in an interview that human loyalty is always mixed with too much self-interest, too much scheming. But a dog’s loyalty is pure and selfless. He wants to use the dog’s purity to awaken that long-forgotten loyalty deep within our human hearts.”
“Wow! Is it that profound?!” The student’s eyes widened even further, her face filled with surprise and admiration: “Minister Nohara is indeed a genius! Even making a movie about a dog can be elevated to a philosophical level!”
“So, you young people should learn more from Minister Nohara!” the middle-aged man said earnestly: “He not only has talent but also vision and thought! He is the one who can truly represent our Neon culture and take it to the world!”
For a moment, in front of Shibuya Station, discussions about the Hachiko statue, about Hiroshi Nohara, and about *The Tale of Hachiko* rose and fell like tides, spreading among the crowd.
Soon, many Tokyo newspapers and publications, particularly their entertainment sections, began to heavily promote the film *The Tale of Hachiko* and Hiroshi Nohara’s innovative cross-genre new film, following the receipt of Tokyo Television’s writing fees.
*Tokyo Daily* Entertainment Front Page: 【Hiroshi Nohara Creates Another Miracle! *The Tale of Hachiko*: An Epic of Loyalty Transcending Life and Death! 】
“Following *Seven Samurai*, which deconstructed eras and classes with its grandeur, Minister Hiroshi Nohara has once again stunned the industry with his heartwarming work, *The Tale of Hachiko*. The film boldly uses an Akita dog as its core narrative vehicle, profoundly exploring the philosophical themes of ‘loyalty’ and ‘humanity’ through a dog’s ten-year wait for its owner. Film critic Kazuya Kurokawa praised: ‘Hiroshi Nohara’s lens always pierces through the superficial and reaches the soul. He uses the simplest emotions to touch the modern urban dweller’s deep longing for pure connection. This is not just an animal epic, but a human allegory.’ The film is scheduled for release during Golden Week and is expected to set off another box office frenzy.”
*Neon Economic News* Culture Commentary: 【From Samurai Spirit to Canine Loyalty: Hiroshi Nohara’s Path to Constructing Cultural Symbols】
“Minister Hiroshi Nohara, this young man hailed as a ‘cultural monster,’ has once again displayed his astonishing cultural insight. In traditional perception, samurai loyalty is seen as a symbol of the Neon Spirit, but *The Tale of Hachiko* projects this concept onto an Akita dog. Cultural scholar Dr. Kengo Sato points out: ‘This move, seemingly heretical, is in fact brilliant. In modern society, human loyalty is complicated by entanglements of interest, while the unconditional loyalty of dogs can awaken people’s yearning for pure emotion. Hiroshi Nohara is, in a way of ‘saving the country indirectly,’ reshaping the nation’s perception of traditional virtues. His precise grasp of national psychology is astonishing.'”
*Shukan Bunshun* Special Report: 【*The Tale of Hachiko*: A Film That Can Make a Heart of Stone Weep! 】
“The Film Censorship Committee unanimously approved the film, with multiple members weeping in the screening room, and even a veteran committee member proposing that *The Tale of Hachiko* be awarded Best Picture of the Year. We have every reason to believe that this film will become the most tear-jerking and socially impactful work of the year. Renowned relationship expert Mayu Watanabe commented: ‘Minister Hiroshi Nohara has once again proven his extraordinary mastery of emotional storytelling. The bond between Hachiko and the professor in the film will spark profound reflection throughout society on family, friendship, love, and even the relationship between humans and nature. It will be the warmest beam of light in this cold era.'”
*Tokyo Daily* Entertainment Front Page:
*The Tale of Hachiko* Scheduled for Golden Week Release! Hiroshi Nohara Creates Another Masterpiece, Can This Heartwarming Epic Rekindle the Box Office Myth of *Seven Samurai*?**
【News from this paper】Following the box office success of *Seven Samurai*, which grossed 6 billion yen and is expected to reach 8 billion yen, Hiroshi Nohara, head of Tokyo Television’s Production Bureau at just twenty-three years old, is making a powerful comeback with his latest work, *The Tale of Hachiko*, scheduled for release during Golden Week! It is reported that this film will tell a story of loyalty transcending life and death between an Akita dog and a human, attracting high attention both inside and outside the industry.
Renowned film critic Kenta Tanaka: “Hiroshi Nohara’s talent needs no further explanation. The grand narrative and profound meaning of *Seven Samurai* have already elevated him to the pantheon of Neon cinema. Now, his choice of *The Tale of Hachiko*, a heartwarming subject, may seem bold, but it further demonstrates his command over the art of filmmaking. He dares to confront the deep-seated desire for loyalty and familial affection in the nation’s heart, using the purest emotions to touch the softest souls. I predict this will be a tear-jerking masterpiece that will be recorded in history, and its box office appeal may even surpass *Seven Samurai*, becoming a phenomenal cultural event!”
Neon University Sociology Professor Ichiro Sato: “In this era of material abundance yet spiritual poverty, human connections are increasingly becoming estranged. Hiroshi Nohara’s *Super Change Change Change* has already successfully awakened the public’s desire for family warmth and interpersonal interaction. And *The Tale of Hachiko* elevates this emotion. Through the ten-year wait of an Akita dog, it will redefine the meaning of ‘loyalty’ and guide the public to reflect on the emotional void in modern society. This is not just a film, but a profound baptism of the national spirit.”
*Eiga Shunpo* Senior Editor Hidekazu Nakamura: “Hiroshi Nohara, a genius who cannot be understood by conventional means. His works always provoke widespread discussion throughout society with their unique perspectives and precise entry points. From the urban legends of *An Shizhi*, to the mind-bending suspense of *World of the Strange*, to the epic scope of *Seven Samurai*, every attempt he makes subverts our imagination. Now, he is crossing genres again, challenging the heartwarming genre, and its deeper meaning is by no means as simple as it appears on the surface. I look forward to how he will deconstruct human nature, elevate emotion, and create new cultural symbols with the story of a dog!”
*Yomiuri Shimbun* Entertainment Supplement:
The genre-bending genius Hiroshi Nohara uses “dogs” to tell tales of loyalty, leading a new wave in Japanese culture.
【Special Reporter’s Report】 Just when everyone assumed Hiroshi Nohara would continue to deeply explore samurai themes, he unexpectedly announced plans for a new movie, 《The Tale of Hachiko》. This heartwarming film, starring an Akita dog, initially sparked some controversy. However, with Hiroshi Nohara’s profound interpretation of “loyalty” and active promotion by the authorities, it has now become the most anticipated film in all of Japan.
Industry Observations:
“Hiroshi Nohara’s innovation lies in his ability to unearth the deepest philosophies from the most ordinary things,” stated an industry insider who wished to remain anonymous. “He elevates the loyalty of a dog to a level that guides the national character, which is an artistic breakthrough in itself. More importantly, he successfully and subtly integrates the government’s cultural promotion intentions into his film creation, achieving a win-win of commercial value and social benefit. This capability is unique not only in the Japanese film industry but in the entire Asian film industry.”
《Asahi Shimbun》 Culture Section:
Shibuya Station’s New Landmark: Hachiko Statue Unveiled, Foretelling 《The Tale of Hachiko》 as a Symbol of the Era
【Cultural Commentary】 Recently, a statue depicting an old man and an Akita dog was quietly erected in front of Tokyo’s Shibuya Station. This is not only a new landmark for Shibuya but also a strong testament to the pre-release buzz for Hiroshi Nohara’s new film, 《The Tale of Hachiko》. This film has not only garnered the personal attention of Governor Ryuichi Koike of Tokyo Metropolis but is also highly anticipated by the publicity department, aiming to promote the Japanese people’s spirit of “loyalty” through Hachiko’s story. It is foreseeable that 《The Tale of Hachiko》 will be more than just a movie; it will become a cultural imprint of an era, with profound influence.
For a time, newspapers, magazines, and television programs across Japan began to be captivated by the names Hiroshi Nohara and 《The Tale of Hachiko》.
Public opinion began to be fully stirred, with discussions ranging from film art to social significance, from Hiroshi Nohara’s talent to the loyalty of the Akita dog, with a constant stream of topics.
Soon, with arrangements made by Tokyo TV, the area around the Hachiko statue at Shibuya Station was bustling with onlookers, their discussions rising and falling.
“Oh, this is that statue? It’s quite exquisite, especially the Akita dog. It’s not fierce at all, and has a somewhat… gentle and silly-cute feel,” a young office worker in a well-fitting suit, carrying a briefcase, stopped to look with curiosity.
His colleague leaned over, covering his mouth with a chuckle, “Look, this dog is so cute! Chubby, with sparkling eyes.”
“Yeah, but how does the story unfold? A dog and loyalty? And an old man who’s already passed away? I don’t get it,” the young office worker scratched his head, looking puzzled.
An elderly commuter, with graying hair and wearing a traditional kimono, also paused before the statue. He looked at it, a flicker of understanding in his eyes, “This must be the statue from 《The Tale of Hachiko》, right? I heard Minister Nohara was making a movie about an Akita dog, about an old man and a dog. The dog’s owner passed away, and the dog kept waiting. It’s loyalty and family bonds that transcend humanity. Just thinking about it makes me tear up.”
“Is that so?” The young office worker’s eyes lit up instantly, his face full of surprise.
His colleague exclaimed in agreement, “Wow! If it’s about waiting, then it’s bound to be a heartwarming movie. But since Minister Hiroshi Nohara is making it, there’s no doubt! He’s my idol! I watch his 《Super Change Change Change》 every episode, it’s both funny and moving!”
“Yes,” the elderly commuter nodded, a hint of emotion in his tone, “I read in the newspaper that this movie is about an Akita dog who, even after its owner’s death, faithfully waited for him at Shibuya Station every day, rain or shine. Just hearing it makes my heart ache.”
“Oh my gosh, just hearing about it makes me so emotional!” Tears welled up in the colleague’s eyes, “Minister Nohara is best at making these stories that strike directly at the heart! Several episodes of his 《World of the Strange》 scared me to tears, but many others made me cry my eyes out with emotion.”
“Indeed, Minister Nohara is a true genius! I’ve watched his 《Seven Samurai》 three times, and each time I discover something new!” the young office worker exclaimed, “I never expected him to make a heartwarming film like this; it’s truly something to look forward to!”
A female university student, waiting for her train with her school bag, overheard their conversation and couldn’t help but chime in, “Are you talking about Hiroshi Nohara’s 《The Tale of Hachiko》? I’ve heard about it! It’s all anyone talks about at our school! Everyone says this movie is definitely going to be this year’s tearjerker!”
A male classmate beside her agreed, “Yes! Hiroshi Nohara is an idol for our generation! His manga 《Yu Yu Hakusho》 was so hot-blooded and exhilarating! 《Doraemon》 is so cute and adorable, it’s pure childhood nostalgia! And 《Late-night Diner》 is so warm and healing, I always feel hungry after watching it!”
“He’s simply a versatile genius!” the female student said excitedly, “Movies, TV dramas, variety shows, manga – he’s proficient in everything, and every work he produces sparks a massive social reaction!”
“Indeed, even Governor Koike himself has personally praised his works!” the elderly commuter added, his face beaming with pride, “I heard that this 《The Tale of Hachiko》 is highly anticipated by the government’s publicity department, hoping it will guide the national character and embody the Japanese spirit.”
“Wow! Really?!” The young office worker and his female colleague were stunned, never having imagined a movie could be elevated to such a political level.
“Of course, it’s true,” the elderly commuter nodded, “So, this statue must have been erected to coincide with the movie’s promotion. Minister Nohara, he truly is… so bold!”
…
Suddenly, many people across Japan were drawn to Hiroshi Nohara’s 《The Tale of Hachiko》.
Public opinion began to ignite.
From the southern Kyushu Island to the northern Hokkaido, whether in the bustling city streets or quiet rural towns, a new topic of conversation emerged in people’s leisure time—Hiroshi Nohara’s 《The Tale of Hachiko》.
“Did you hear? Hiroshi Nohara’s new movie is about a dog! And that Akita dog is even praised by foreigners!”
“Yes! I’ve known about it for a while! My daughter pesters me every day to take her to see it! She says that Akita dog is super cute! But it’s not releasing until Golden Week, and seeing her eager face makes me feel sad now.”
“I think Hiroshi Nohara is a genius! He always manages to make movies that warm your heart and make you want to cry a little.”
“I heard even the Governor praised him! This movie is definitely going to be a huge hit! Besides, even Americans are praising that Akita dog named Hachiko!”
“Yeah! I’m going to pre-order tickets! Otherwise, I definitely won’t get good seats! I really want to see what kind of Akita dog it is that even those American maniacs praise!”
“What are the experts saying in the newspapers? They all say this movie will surpass 《Seven Samurai》!”
“Really?! That’s amazing! 《Seven Samurai》 has already broken 7 billion at the box office and is heading towards 8 billion, or even 10 billion!”
“Hiroshi Nohara is truly the pride of Japan! His movies, TV dramas, and manga are all brilliant! And now even Americans are won over by his talent! It’s just fantastic!”
“I even think he’s the one who can truly represent Japanese culture to the world and conquer America!”
Public opinion spread like wildfire.
Television, radio, newspapers, magazines, and even casual conversations on the streets were filled with anticipation for 《The Tale of Hachiko》.
People looked forward to the film, anticipating being moved and shocked by Hiroshi Nohara’s work once again. They hoped that during the Golden Week holiday, they could go to the cinema with their families to experience that pure love and loyalty.
Hiroshi Nohara’s name once again resounded throughout Japan, becoming a household name and a highly recognized cultural symbol.
His works, his talent, and his influence continued to expand and elevate at an unprecedented speed.
And this was just the beginning.
…
Another month passed, bringing us to early April. The cherry blossoms in Tokyo finally bloomed, filling the air with a faint floral fragrance.
In a small meeting room at the Tokyo Television Production Bureau, Hiroshi Nohara, Asumi, and Toshihide Takada sat around a round table.
“Hiroshi-kun, Managing Director Takada, you two are truly… amazing!” Asumi was the first to break the silence, his face beaming with a cheerful smile and his tone filled with irrepressible excitement, “The public attention for 《The Tale of Hachiko》 has been growing higher and higher during this period! The entire of Japan is now discussing this movie, discussing the Akita dog!”
He paused, his tone becoming more mysterious, “What’s most unexpected is that news is coming from abroad, saying that many American newspapers and television stations are now also broadcasting topics related to Akita dogs. Reports about how smart and loyal Akita dogs are have surprised many Japanese people!”
Toshihide Takada also nodded. A faint hint of pride appeared on his usually gloomy face, “Yes, as Mr. Asumi said. With Tokyo Television’s fanning the flames, especially American media, the topic of Akita dogs being a superior breed has begun to spread comprehensively throughout Japan’s public opinion circles.”
He picked up his teacup, took a sip, and said with confidence, “Now, many experts and television stations are also agreeing that Akita dogs are a superior breed, intelligent and loyal. The intensity of this promotion is unprecedented! The public’s confidence has been boosted!”
Hiroshi Nohara wore a faint smile.
“It should be this way,” Hiroshi Nohara said softly, his tone calm and firm, without any shirking. “Using foreign media affirmation to enhance national recognition of their own culture is the most effective ‘indirect salvation.’ Moreover, I’ve also learned that the public is now genuinely interested in Akita dogs and in 《The Tale of Hachiko》, which I am filming.”
He paused, his gaze sweeping over Asumi and Toshihide Takada, his eyes filled with anticipation, “Everything hinges on the Golden Week at the end of April and beginning of May, when the movie is officially released.”
Asumi and Toshihide Takada nodded, their faces radiating infinite longing for the future. They knew that Hiroshi Nohara’s plan had already succeeded by half.
However, as they were still discussing, the meeting room door was gently pushed open.
Director Nobuhiko Sakata entered with composed steps. He was dressed in a dark, perfectly tailored kimono, exuding an aura of unyielding authority.
The three quickly stood up and bowed deeply to Nobuhiko Sakata.
“Director Sakata!”
“Hmm,” Nobuhiko Sakata responded with a faint acknowledgment. His gaze swept over the three, and a hint of scrutiny flashed in his shrewd eyes.
He slowly walked to the head of the table and sat down. Then, his gaze turned to Asumi and Toshihide Takada, and the stern expression on his face now appeared somewhat… rigid.
“Who was behind the promotion for 《The Tale of Hachiko》?” Director Sakata’s voice was calm and powerful, yet carried an undeniable authority, “You even knew to mobilize foreign media to fan the flames? This kind of promotional thinking is not something ordinary people can come up with.”
Upon hearing this, Asumi and Toshihide Takada showed awkward expressions. They exchanged glances, not knowing what to say.
After all, this plan was proposed by Hiroshi Nohara, and they were merely responsible for its execution.
Moreover, Director Sakata’s words, though seemingly an inquiry, held a subtle hint of… probing.
Hiroshi Nohara simply smiled calmly, his composure and confidence making him stand out at that moment.
He knew this was his time to demonstrate his “responsibility.”
“Director Sakata, I arranged it,” Hiroshi Nohara said softly, his tone calm and firm, without any evasion.
Upon hearing this, the rigid expression on Director Sakata’s face instantly melted away, replaced by genuine admiration and… praise.
He looked at Hiroshi Nohara, his shrewd eyes sparkling with a brilliance like the stars.
“Good! A truly ‘promotional genius’!” Director Sakata exclaimed, clapping his hands, his tone filled with unreserved praise, “This promotional thinking is indeed interesting! As expected of you, Hiroshi-kun! You always bring us surprises!”
He paused, his tone becoming more animated, “Moreover, I must tell you that the discussions about Akita dogs and your 《The Tale of Hachiko》 in Tokyo Metropolis are generating immense public reaction! Even the Governor personally called me to praise your excellent promotion!”
Upon hearing this, Hiroshi Nohara, Asumi, and Toshihide Takada all wore satisfied smiles.
Immense public reaction, didn’t that signify excellent promotion?
Director Sakata looked at their delighted expressions, his face also beaming with happiness.
He knew that Hiroshi Nohara’s plan had succeeded by half.
“By the way, Hiroshi-kun,” Director Sakata suddenly remembered something. He looked at Hiroshi Nohara, his tone carrying a hint of perfectly measured mystery, “Governor Koike is very satisfied with your promotion this time. He even said that he wants to collaborate with you sometime soon, taking the production team of 《The Tale of Hachiko》 for promotional activities, both commercial and political.”
“What?!”
Asumi and Toshihide Takada’s eyes widened instantly, their faces etched with unbelievable shock!
They stared blankly at Director Sakata, their minds in utter chaos.
Governor Koike’s election campaign intended to involve Hiroshi?
This… this was an unprecedented honor!
This was not only an affirmation of Hiroshi Nohara’s personal capabilities but also a significant recognition of his political influence!
This meant that Hiroshi Nohara had, from a simple cultural creator, gradually moved towards the center of the political stage!
A faint smile also appeared on Hiroshi Nohara’s face.
He knew that the opportunity he had been waiting for had finally arrived.
In Japanese elections, getting involved could not only help the candidate gain a large number of votes but also provide significant promotional opportunities for oneself.
This included 《The Tale of Hachiko》, which had already been hyped up before its release.
Now, if he could join forces with Governor Koike and borrow some momentum.
The promotional impact would definitely surge.
After all, if even the Governor of Tokyo Metropolis liked the movie and the Akita dog, wouldn’t that pique everyone’s curiosity?
Regarding politics, Hiroshi Nohara had no intention of getting involved for now.
However, he was quite bold when it came to using political publicity for his movies!
